Few practices are better placed to reinterpret modernist heritage than Conran & Partners. Founded by design legend Sir Terence Conran, the studio has long championed design that is intelligent, human-scaled and rooted in how people actually live. At Lilian Baylis, the practice approached the project not as a blank canvas, but as a dialogue with the past. Much like their transformation of the iconic Centre Point building, the architects embraced the spirit of 1960s modernism, allowing its material confidence and spatial drama to lead the way. Exposed concrete, expressive plan forms and the interplay of buildings and courtyards were all treated as assets rather than obstacles. Partner Lee Davies described the strategy as one of deep understanding: retaining the original structure, celebrating its strengths and carefully inserting new residential life within it. Uniquely, the team was joined by Bob Sealy, the original project architect from The Lilian Baylis School, a rare and invaluable continuity that helped ensure fidelity to the original vision. One of the school’s most distinctive qualities, and one that sets it apart from many Brutalist contemporaries, was its deeply human approach to space. Rather than a single dominant courtyard, the buildings were arranged around a series of interconnected outdoor rooms, each with its own scale, atmosphere and rhythm. Moving through the site has always been a process of discovery, guided by framed views, shifting levels and carefully placed openings. This spatial richness was explicitly noted in the building’s 2003 listing and became a cornerstone of Conran & Partners’ conversion. The courtyards were not treated as residual space, but as the social and architectural cornerstone of the project, defining both outlook and experience.

Apartments are accessed via original staircase cores, each serving only a handful of homes. These staircases, retained from the school’s original circulation, eliminate the need for long communal corridors and preserve a sense of openness. Many are sculptural in their own right, elegant, curving concrete forms that set the tone for what follows. This particular apartment occupies a rare position at the top of the building, with no adjoining neighbours. Thought to have once been an art classroom, it benefits from an unusual sense of separation and natural light. From this vantage point, the apartment enjoys exceptional floor-to-ceiling outlooks, taking in Big Ben, the Palace of Westminster, the London Eye and, further east, the Shard and financial district. These views are entirely unique within Cabanel Place and form a defining feature that distinguishes the apartment from every other home in the building. It is also one of the few residences to benefit from an extensive private roof terrace. Set above the internal courtyards, the terrace offers a secluded outdoor space whilst retaining that clear visual connection to the city’s most recognisable landmarks. Inside, the conversion feels remarkably natural. Generous floor-to-ceiling heights speak to the building’s institutional past, while open-plan living areas reflect both the original layout and a nostalgic nod to 1960s domestic ideals. No two apartments here are the same, a product of working with the existing structure rather than imposing repetition. Yet the unifying feature throughout is the glazing. Original iroko timber-framed windows, now sensitively restored to double glazing, stretch from floor to ceiling, their mullions framing views of the courtyards beyond. Darkly stained and richly tactile, they lend the interiors a Barbican-like gravitas. Vintage, virile and incredibly charismatic.

Kennington has quietly evolved into one of south London’s most culturally rich neighbourhoods. A short walk from Cabanel Place reveals a dense constellation of galleries, studios and creative institutions, including Damien Hirst’s Newport Street Gallery, Gasworks, Cabinet and The City & Guilds London School of Art. Independent venues such as The Camera Club and the Tea House Theatre further anchor the area’s artistic character. Green space is equally close at hand, the manicured lawns and mature trees of Grade II-listed Kennington Park lie within ten minutes’ walk. Beyond, the River Thames and its riverside paths are easily reached, connecting west to Tate Britain and east towards Borough Market and the South Bank. Transport links are exceptional. Kennington and Oval stations (Northern Line) are both within easy reach, alongside Lambeth North (Bakerloo Line) and Vauxhall, which offers Victoria Line and overground services. Numerous bus routes provide swift connections across central and south London. For those who prefer to travel under their own steam, cycling and walking routes lead directly towards the South Bank and Soho, reachable in approximately 10 and 35 minutes on foot respectively. It is a location that balances neighbourhood intimacy with seamless access to the wider city.